The Annenberg Space for Photography - Voice of the Photographer

The Annenberg Space for Photography - Voice of the Photographer: Eleven photographers speak of their craft. Unfortunately,someone decided that it was necessary to have elevator music underscore the interviews.

An Air Force F-22 Raptor executes a supersonic flyby photo by Sonar Technician 1st Class Ronald Dejarnett

There is a magical, out-worldly quality to this image that elevates it
from its intended use.

"090622-N-7780S-014 GULF OF ALASKA (June 22, 2009) An Air Force F-22
Raptor executes a supersonic flyby over the flight deck of the
aircraft carrier USS John C. Stennis (CVN 74). John C. Stennis is
participating in Northern Edge 2009, a joint exercise focusing on
detecting and tracking units at sea, in the air and on land. (U.S.
Navy photo by Sonar Technician (Surface) 1st Class Ronald
Dejarnett/Released)"

http://www.navy.mil/view_single.asp?id=73057

Photographer Martin Schreiber's best shot - Hannah Pool - guardian.co.uk

Hannah Pool - guardian.co.uk "In 1979, I was teaching nude photography
at Parsons school in New York. I needed models for the course – and
one day a 20-year-old called Madonna Ciccone showed up. She was just
another citizen, a girl trying to make ends meet. She was quiet,
taciturn. I'm not sure it was something she enjoyed. She did it for
the money, in this case $30. She was relaxed, composed, did as asked.
Some people are stiff, some are there to do a job, some give a little
more. She was in the middle: she did what she was told but nothing
extra."
"Shooting nudes is tricky. What are you trying to do? When is it a
nude; when is it erotica? There is nothing erotic about these
pictures. Erotica suggests sex; these pictures don't suggest sex. They
are studies of the body – it's sculpture with a camera. "
http://www.guardian.co.uk/artanddesign/2009/jun/24/photography-martin-schreiber-best-shot#

Kodak rewards two in Yellow Rose Boy search



Scott Campbell for CrunchGear, "A 20-year-old Canadian woman has claimed a $5,000 prize set by Kodak for the first person to find the boy who was pictured attempting to give actress Megan Fox a rose. [Ed. PHa here, we've also confirmed with Kodak that a second winner will be announced and each will get the $5000 cash reward. We expect an official release in an hour or so.]
Kim Falardeau, a Montrealer, has been contacted by Kodak, who are planning to announce the win soon. She received a phone call from the company at around 11.30am (CET) on Thurday 25th June. She had received emails from crafty bloggers pretending to be from the company in an attempt to gain information."
http://www.crunchgear.com/2009/06/25/breaking-kodak-rewards-two-in-yellow-rose-boy-search/

Sited: Photography.Book.Now

Photography.Book.Now is a celebration of the most creative, most innovative, and finest photography books – and the people behind them. Learn more about the competition, categories, our jurors and of course, the awards.

Nan Goldin: unafraid of the dark By Drusilla Beyfus - Telegraph.co.uk

By Drusilla Beyfus - Telegraph.co.uk, "During our conversation, I picked up the following Goldinisms and reflections, all communicated in her deep, throaty voice:
On portraits: 'I realised a long time ago that outside of commercial work I would never photograph anyone that I didn't want to live with. I didn't think anyone had the right to photograph a stranger. But now I know that there are other ways that people photograph strangers with compassion, either as a reflection of themselves or where they go deep into a relationship in some way or help people.'
On truthfulness: 'At the Tate Gallery I asked an audience of 150 how many of them believed a photograph could be real. Only five put up their hands. That's not a world I thought I would grow into.'
On attitude: 'A real artist doesn't do themselves. I don't do Nan Goldin."

Radiant Nation: William Eggleston - Danielle Steen for Express


Danielle O'Steen for Express, "This much is true about William
Eggleston, often referred to as the father of color photography: He
works quickly, never stages a photograph and takes only one shot.


Eggleston learned early on that when something caught his eye, he
didn't need rolls of film to capture his mark. "[Starting out], I
would take many frames essentially of the same subject, see, and I
would have to decide which one was the best," Eggleston told Express
while in D.C. for his current retrospective "William Eggleston:
Democratic Camera, Photographs and Video, 1961-2008," at the Corcoran.
"I figured, why not just take one? I'm going to eventually choose, and
I could never make up my mind."


http://www.expressnightout.com/content/2009/06/radiant_nation_william_eggleston.php